KLF sample ident. list (Version 3.2, 8th July 1994)
    ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
This is the latest version of Trancentral (the KLF mailing list)'s 
attempt to compile and collate the samples used in KLF 
Communication's body of work. Feel free to reproduce this 
electronically. Any additions, corrections, better descriptions of 
the samples, source record info, sampled artist biographical info 
(especially: I want this to be a good read as well as a trainspottery 
list), etc will be gratefully received by <sayoung@glg.ed.ac.uk>


Hey Hey We Are Not The Monkees
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<Here we come> and <Hey Hey we're the Monkees> and <Mon-kees> from 
'The Monkees' Theme' by the Monkees (RCA, 1967). 

<the guitar hook> from The Monkees' 'Last Train To Clarksville' (RCA, 
1967). Just the hook repeated eight times over, building up the 
volume continuously.

<A Wop-baba-loopa...etc> a double scratch of Little Richard's opening 
lines of 'Tutti Frutti', the original Speciality recording from 1957 
(HLO 8366) availible on "The Speciality Sessions" box set (Ace 
Records, ABOX CD1, 1989) and not one of his many inferior re-
recordings.

<Mind the gap> London Transport recorded announcement (from London 
Underground)


Don't take five (Take What You Want)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<JB's loud and proud> two bars from the intro of Fred Wesley And The 
JB's' track 'Same Beat' on the LP 'Damn Right I'm Somebody' (People 
Records PE 6602), The two bars are looped and used as the basis for 
the backing track. Also the outro is sampled at the end

<football results> BBC TV announcer presumably from the Saturday 
afternoon that they were recording. One day if I'm really anal I'll 
try and decipher the scores and look up a reference book to find the 
date!!! It's presumably the same week as TOTP though.

<main theme> of Dave Brubeck's 'Take Five' (Fontana/Phonogram, 1961). 
This particular track seems to be on every Dave Brubeck LP ever 
released.


Rockman Rock (Parts 2 & 3)
^^^^^^^^^^^^^^^^^^^^^^^^^^
A loop of Bo Diddly's legendary beat was used as the basis to the 
groove. Possibly this means the beat from 'I'm a Man' (Chess, 1955), 
but possibly this is too slow and its the flip side 'Bo Diddley' or 
is it 'Hey Bo Diddley'. The Bo Diddley snare-and-maracas beat is 
similar on all his uptempo recordings (and some of the slow ones too) 
so we're unlikely to get a definitive answer.

<Sunrise Sunset> each verse starts with the choral hook of 'Sunrise 
Sunset' from the 'Fiddler on the Roof' sountrack LP. 

<various unidentified> The choruses and bridges feature snatches of 
'Love without Jealousy' by Luther Georgia & Snake Boy Johnson (A 
Muddy Waters sideman under the spotlight) on the Douglas label, and 
Ike & Turner's 'So Fine' on the Pompeii label. the mid-section has 
the hook from Hamilton Bohannon's mid-seventies anthem 'Disco Stomp' 
(Brunswick, 1975).

<screeching heavy metal guitar> Rockman's all time favourite guitar 
bits from Jimi Hendrix, Jimmy Page (Led Zeppelin) and Angus Young 
(AC/DC).

<Why did you throw away your giro?...etc> the backing singers talking 
bit is a piss-take of Salt 'n' Pepa's 'Idle Chatter' from the b-side 
of their 'Tramp' single (Next Plateau(US), Champion(UK), 1987).


The Queen And I
^^^^^^^^^^^^^^^
<...etc> complete chorus of from Abba's monster hit 'Dancing Queen' 
on any Abba greatest hits LP, and on car boot sale favourite 
'Arrival' (Epic, 1976).

<Get Pissed Destroy> from 'Anarchy In The UK' on the Sex Pistol's LP 
'Never Mind The Bollocks' (Virgin, 1977).

<snatches of TOTP chart countdown, etc> this is the edition of TOTP 
from the chart week beginning 14th March 1987, presumably the week 
when they were recording the album. Ironically that week was a 
particularly stagnant and crap one for pop music, as referenced by 
the DJ's.

<snatches of TV adverts, golf commentary, Channel 4 news theme, etc.> 
presumably directly from whatever was on the other side when TOTP was 
too boring to watch 


All You Need Is Love
^^^^^^^^^^^^^^^^^^^^
<Love Love Love> from the Beatles' 'All You Need Is Love' 
(Apple/Parlophone Records, 1967) on plenty of LP's. The French 
national anthem 'The Marseillese' also begins the Beatles song, but 
in a less scathing and derogratory manner.

<sexual intercourse...no known cure> government spokesman on the 
'Don't Die of Ignorance' AIDS awareness adverts, 1986.

<Touch Me, Touch Me I want to feel your body> From soft-porn star 
Samantha Fox's SAW produced hit single 'Touch Me' (Jive/Zomba, 1986).

<ring-a-ring o'roses> children's playground singing. The words of 
this song (a-tissue-a-tissue/ we all fall down) are attributed to the 
bubonic plague which swept across Europe in the 17th Century.

<unidentified> there is also some Hall and Oates in here.


Next
^^^^
<orchestral intro> intro from 'The Lonely Goatherd' from 'The Sound 
of Music' Soundtrack LP (RCA, 1965).

<whole groove>  based on a tape loop of the main riff of Stevie 
Wonder's 'Superstition' from the 'Talking Book' LP (Tamala Motown, 
1972), but on mixing the track they only kept it in for the odd 
burst. 

<I was still just a kid...I followed the naked body...a naked body 
follwed me> from Scott Walker's version of 'Next' from 'Scott 2' 
(Phillips, 1968, CD reissue Fontana, 1992) or 'Sings Jaques Brel' 
(Phillips, 1981, CD reissue Fontana 1991). 'Next' is an extraordinary 
song detailling how a young soldier loses his virginity in a 'mobile 
army whorehouse' and because he remembers the Lieutenant who shouts 
'Next, Next!' as their turn approaches, he cannot enjoy taking a 
woman to bed for the rest of his life and is driven mad.

<High on a hill stood a lonely goatherd, yodel-ay yodel-oh-ooh-
ooh..etc> Julie Andrews from 'The Lonely Goatherd' from 'The Sound of 
Music' soundtrack LP (RCA, 1965).

<I'm Totally Wired> the only sample on the first LP they had 
permission to use, from The Fall's 'Totally Wired' (single, Rough 
Trade, 1980), or on The Fall's singles collection (199?, Beggar's 
Banquet?)

<Merry-Go-Round> the title line from 'Merry-Go-Round' by Wild Man 
Fisher from his 'An Evening With' double LP that came out on Frank 
Zappa's Bizarre label.


Whitney Joins The JAMs
^^^^^^^^^^^^^^^^^^^^^^
<underlying high-pitched whistling melody> theme, written by Lalo 
Schifrin, from 'Mission Impossible'  the 60's spy TV series.

<Trumpet break> and <Right On!> and <prevalent waaka-waaka guitar 
riff> from 'Theme From Shaft' by Issac Hayes from the Shaft 
Soundtrack single and LP? (Stax, 1971) and hundreds of dodgy 70's 
disco compilations. The guitar riff widely copied in 70's disco music.

<Ohhh I wanna dance with somebody, I wanna feel the heat with 
somebody...etc> from Whitney Houston's world No.1 'I Wanna Dance With 
Somebody (Who Loves Me)' (Arista, 1987).

Jeremy J. Beadle has also heard a 'touch of Mantronix' in there 
somewhere.


Downtown
^^^^^^^^
<Downtown, things will be great when you're downtown, no finer place 
for sure, downtown, everything's waiting for you> and <listen to the 
rhythm of the gentle bossanova> and <neon lights are pretty> from 
Petula Clark's classic single 'Downtown', which ironically was re-
released in a dance version in 1988 to be a top ten hit thirty years 
after it was originally in the charts. The JAMs were "surprised to 
read in the papers that Pet Clarke had given her permission for us to 
sample her classic Downtown on our record of the same name. When we 
attempted to contact her, at her Swiss home, to do just this thing, 
we didn't get further than her refusing to accept our transfer 
charge."

<tyres screeching> either from Leader of the Pack (see below) or 
Public Enemy's '98 Oldsmobile' on 'Yo! Bum Rush The Show' (Def Jam, 
1987). This same sound effect was used on 'Davy's Ride' by Davy D 
(Def Jam, 1987).


The Candystore
^^^^^^^^^^^^^^
<I met him at the Candystore> and <squealing tyres and engine noises> 
from the Shangri La's seminal 'Leader of the Pack' on numerous LP's, 
mine is 'Remember' (Instant Records).

<going in...can't stop> ?


Candyman
^^^^^^^^
<I...love...you> unidentified female???

<guitar riff... and 'foxy'> distinctive riff all the way through the 
song, sometimes with a whispered 'Foxy' in the background. Jimmy 
Hendrix from 'Foxy Lady'.

<guitar swath> Buried just before the horn line is a guitar swath, 
which is lifted from James Brown's 'Papa's Got A Brand New Bag'

<que pasa people, que pasa...hit me!> James Brown, from the intro to 
'Get On The Good Foot' (Polydor, 1972), also used on Coldcut's 'That 
Greedy Beat'.

<indian break> ?

<germanic orchestral break> from Wagner's 'Ride Of The Valkyries'.

<c'mon party people...rappin to the beat> possibly an early 80's rap 
record, like those on Sugarhill.
 
<come on> and <here we go again> and <yeah boyeeeeeee> Chuck D and 
Flavor Flav from Public Enemy's classic 'Bring The Noise' (Def Jam 
single), which later appeared on the LP 'It Takes A Nation Of 
Millions To Hold Us Back' (Def Jam, 1988).

<pedal to the metal>???

 
The Disaster Fund Collection
^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<trumpet melody> in the closing bars there is a distinctive trumpet 
line.


The Porpoise Song
^^^^^^^^^^^^^^^^^
<various bad weather sounds> the ubiquitous 'Sound Effects' LP 
perhaps.

<piece of classical music?> Carmen Burana by Karl Orff. This is used 
in the Old Spice adverts. Also used on 'O Fortuna' by Apothesis.

<beat> There is a sampled beat that lasts about two bars halfway 
through the song. It is Kraftwerk's 'Technopop' If you know the song 
its easy to spot. Its on the remix version on 'History of The JAMs' 
too


Prestwich Prophet's Grin
^^^^^^^^^^^^^^^^^^^^^^^^
<the chorus> is a cover version with different words of 'Clean-Up 
Woman' by Betty Wright, a good 1971 soul number. 

<Shaama-shaama-hun, give me shamma-shaamma hunkey...etc> indian 
sample???


Burn The Bastards
^^^^^^^^^^^^^^^^^
Most of this song is based on Sly And The Family Stone's Dance to the 
Music (Direction, 1968, I have it on 'Greatest Hits', Epic). The drum 
is directly copied, "JAMs have a party" replaces "Dance to the music" 
and "All we need is a beatbox for people who only need a beat...You 
might wanna hear some scratching...etc" is a clever update of Sly's 
"All we need is a drummer...etc...You might wanna hear some 
organ...etc". Additionly the <boom boom boomma boom boom> and 
<Yeah...trumpet melody...listen to me!> breaks are directly sampled.  

 <what we're gonna do here is go back...way back...back in to time> 
ridiculously overused sample from a track called 'Troglodyte' circa 
1970 or so, and had some mention of the "Butt Sisters" in it. 
Possibly by the Jimmy Castor Bunch.

<alright jump on...who who who's Bad> scratches from the middle eight 
of Michael Jackson's 'Bad' from the biggest selling LP of 1987 'Bad' 
(Epic/CBS).

<take me to the bells> echo's James Brown's 'take me to the bridge'

<SHUT UP! It's that time again, right, kick out the old, welcome the 
new. Make your New Years resolutions now! GO!!!> Voice of Dirty Den 
(played by Leslie Grantham) from the BBC TV soap opera Eastenders 
from the 45 minute special New Year's Eve 1987 edition. 

<And a very happy new year, from BBC1> BBC TV announcer from the same 
nights viewing? Surely they didn't stay in recording when they 
could've gone out partying?

<the Bells> Big Ben possibly from the radio or TV at midnight on this 
night? or from a BBC Sound Effects LP? Notice that some sections of 
silence are edited out.

<party noises, people cheering, Should old acquaintance be 
forgot....etc> 'Auld Lang Syne' possibly from the cast of Eastenders 
sing-songs round the Queen Vic piano LP?!? more likely off the TV 
from the same special episode of Eastenders.

<guitar noises> same source as Rockman Rock


One Love Nation
^^^^^^^^^^^^^^^
<What's Up Doc> Bugs Bunny (+ Warner Brothers)


Doctorin' the TARDIS
^^^^^^^^^^^^^^^^^^^^
the title is taken from Coldcut's 'Doctorin' the House' (Ahead Of Our 
Time/ Big Life, March 1988). "Dr Who Hey! The TARDIS!" is sung to the 
tune of "Rock and roll-ah, rock and roll" from Gary Glitter's 'Rock 
and Roll (Part Two)' (Bell, 1973), which is often played at US 
sporting events. 

<main rhythm> based on Gary Glitter's 'Leader of The Gang (I Am)' 
(Bell, 1973). There are samples from this on some of the Gary in the 
TARDIS remixes: <I'm the leader!>

<Dr Who theme> written by Ron Grainer/BBC Radiophonic Workshop and 
first released as a single on Decca (1964) but since then has 
appeared on loads of BBC Records.
 
<sirens and glam guitar> and <ah-aaaaaahs> Sweet's Blockbuster (RCA, 
1973)

<bosh bosh bosh...loadsamoney> and <you wot you wot you wot> samples 
from English comedian Harry Enfield's character Loadsamoney's novelty 
hit dance track 'Doin' Up The House' (Mercury, May 1988). Ironically 
this sampled Abba's 'Money Money Money' and Abba agreed to strike a 
deal where he payed them lots of money. Abba refuse permission for 
political critically-acclaimed sampling, but allow novelty pop 
sampling!!

<tardis dematerialisation sound> from several BBC TV sound effects 
LP's including 'BBC Radiophonic Workshop 21' (BBC Records and Tapes, 
1979).

<exterminate> and <we obey no-one> and <we are the superior beings> 
Dalek voices are probably from the LP 'Genesis of the Daleks' (BBC 
Records, 1978).


Chill Out
^^^^^^^^^
<rolling stock> this comes from 'Authentic Sound Effects Vol 2' 
(Elektra CD). The tracks used are tittled 'Crossing Bells And Horn 
With Electric Train Pass' and 'Short Freight Train Pass'. Chill Out 
also uses fairly processed versions of 'F18 Diamond Fly-By' 'Dodge 
Van Starts, Drives Out' and 'Surf' from the same CD.

<shepherd's talking in strange language>, <sheep>, <cow bells> and 
<sheep dog barking> possibly a 'Sound Effects' LP. 

<weird singing> this is Tuvan (Mongolian) throat singing possibly 
from "Tuva - voices from the centre of Asia" on Smithsonian/Folkways 
records (CD SF 40017) or from the soundtrack to the BBC TV program 
"The Mongolians". The throat singers have been touring the US in the 
last few years (they appeared on the Chevy Chase TV program and 
attempted to teach him how to do it with hilarious results). Lazlo 
says "It's not that tough to do with a little practice, though it 
obviously doesn't sound quite as impressive as when the monks do it.  
You generate as low a tone as possible from deep in your throat and 
form the overtones by matching the harmonics with your mouth.  Of 
course, doing it while driving in traffic makes other people look at 
you funny." 

<the panning LFO sound> [on the US Chill Out CD these come in at 
1:10, 3:49 and 5:56 of Track 5] from Pink Floyd's "On the Run" from 
"Dark Side of the Moon" 

<Come get your Mojo Hey!...go down to Atlantic City come back fat as 
a rat...All the way down the east coast......etc> [throughout 
Madrugana Eterna and later tracks] 
- Dr. Williams (he sounds mad whoever he is, and I'm not sure what 
he's advertising).

<seventeen-year-old Jack Acksadapo was driving home to Belmore last 
night after finishing work at his father's Lindcrest diner in 
Lindenhurst. According to Nassau homicide sergeant John Nolan, 
witnesses saw Acksadapo drag racing with another car along Merrick 
Road in Wantaugh...etc> this is from an actual US radio news report. 
Nassau is a county of NY state. John Nolan has been seen on true-
crime TV in the US. The diner actually exists and KLF fans have eaten 
in it. Where the KLF got a tape of US Radio without actually going 
there is another matter.

<As the snow flies, On a cold and grey Chicago morn...etc.> Elvis 
Presley's "In the Ghetto" from hundreds of LP's. The songwriter, 
Davies, gets a co-writing credit for 'Elvis on the Radio Steel Guitar 
in My Soul' on the label of Chill Out.

<pastoral melody> [on 3am Somewhere Out of Beaumont] Fleetwood Mac's 
1968 No.1 'Albatross' on their greatest hits LP? The division of the 
45 minute piece of music that is Chill Out seems to be only so that 
co-songwriting credits can be given to those sampled. Peter Green is 
co-credited for this 'track' on the label (and Fleetwood Mac are 
thanked on the sleeve), but since he had an LSD nervous breakdown and 
now lives with his mother, he probably needs the royalties. This tune 
is also copied by The Beatles on Abbey Road (Apple/Parlephone 
Records) and Green is on record as being extremely flattered, so he 
probably doesn't mind the KLF sampling his best known tune. 

<Pings> [US CD: Track 8 - 2:07 and throughout track 11] from the Pink 
Floyd's album "Echoes" on "Meddle", 

<deep, bassy, glooping noises> [US CD various points on Track 8] from 
one of the tracks on Brian Eno's "Ambient 4: On Land"??? 

<After the love has gone> Boy George's group Jesus Loves You song 
'After The Love Has Gone' a single on his own More Protein label. 
They are thanked on the sleeve.

<I have a special phone number ...etc.> I think this is a different 
US male radio or TV voice than Dr Williams, but it could very well be 
him too.

<Rock radio into the '90's and beyond> [on the track of the same 
name] is a jingle from Tommy Vance's old Friday Rock Show on Radio 
One.

<Clarinet tune> [on A Melody from a Past Life Keeps Pulling Me Back] 
Acker Bilk's 'Stranger on the Shore'. Bilk is the only 'pop star' 
ever to come from Glastonbury! He's also given a songwrighting credit 
on the label and thanked on the sleeve. Every time I listen to Chill 
Out I imagine Bilk walking along the beach, playing his clarinet, 
towards Bill and Jimmy who are sitting watching the surf!


What Time Is Love?
^^^^^^^^^^^^^^^^^^
<trance melody> The famous hands-in-the-air trance melody is 
apparantly subconsciously plagiarised from Andrew Lloyd Webber's 
'Judas Death' from the rock opera Jesus Christ Superstar (original 
cast sountrack MCA, 1974). Thus the European cover versions collected 
on The What Time Is Love Story LP may not actually be rip-offs of the 
KLF. 


What Time Is Love? (Live At Trancentral)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<Right now...right now its time to...Kick out the JAMs Motherfuckers> 
from the MC5's song 'Kick out the Jams' on the LP of the same name 
(Elektra, 1969, CD reissue, 1991).

<I wanna see you sweat!> Wanda Dee from the opening to 
her...ahem...biggest selling rap single 'To The Bone' (Tuff City 
Records). When Wanda sued over this sample and <come on boy do you 
wanna ride> in LTTT she was given a cash settlement, co-writing 
credits on US copies of the LP (and hence publishing royalties), and 
appearances in the WTIL? (Stadium House version) and LTTT videos. She 
would later claim that she was the singer or performer on these 
tracks and an integral part of their success. This is completely 
untrue. She was only sampled and nothing else. You'd think that she 
got a good deal wouldn't you? So why did she then tour the world for 
three years pretending her show was the real KLF?

<do-do-do-do-do-do-do bleeps> from Kraftwerk's 'Home Computer'. This 
is also on the Wandaful and Echo and the Bunnymen mixes.

<Thank you, thank you...crowd noise> from Door's 'Absolutely Live' 
(Elecktra Records). The whole of the Stadium House trilogy and side 
one of the UK 'White Room' LP contains crowd noise which is 
sarcastically acknowledged on the sleeve as being sampled from this 
record, U2's 'Rattle and Hum' (Island Records, 1988) and an 
unreleased Haircut 100 live recording.

<Okay Houston, we'll give you a countdown...four, three, two, one, 
fire> from Apollo moon landings record. There are various different 
countdowns and snatches of NASA dialogue scattered across the KLF's 
canon of work. The other main one at the beginning of Space is also 
at the start of The The's Soulmining LP and early Orb releases? 
They're probably all contained on various LPs called something like 
'The Apollo Moon Landings'.


What Time Is Love (Moody Boys vs. the KLF)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<This is rastafarian folk song, dedicated to the world's first hippy. 
Hail Jah rastafari.  HAIL JAH.>  is from the intro to 'Rastafarian 
Folk Song' by a British/African hallowed rare groove group of the 
70's called 'Cymande' who were more soul than reggae. It also appears 
as the intro to the brilliant Moody Boys track 'Jammin' (Ital Mix)', 
which is the extra track on the 12" single 'Funky Zulu (You're So 
Fresh)'  (XL Recordings XLT 11), and is on "XL Recordings Volume 1" 
which is a compilation of early XL stuff. 

<Music which tells about the future, and the judgement which is to 
come...Roots music...etc> is used by the Moody Boys on '91 
Rocksteady' and '1992 Rocksteady', the B-side of 'What Is Dub?' (Love 
records). Is it also used on The Orb's Perpetual Dawn?


What Time Is Love? (Echo and The Bunnymen mix)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<where're the kids gonna go?> and <well this is what's happening now> 
unidentified US female??

<I'll say the magic word...Herbedacious> from the brilliant 70's BBC 
Childrens TV Series 'The Herb Garden'. Some people have said that 
this contained drug-references, but this is probably reading too much 
into it, as apart from neurotic Dill the dog representing speed and 
soporific Parsley the lion representing cannabis none of the other 
herbs have any drug conotations at all.

<wvvuurrrrrpppp> the transporter noise from the original Star Trek


What Time Is Love? (Virtual Reality Mix)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
this ambient mix is virtually a highlights of Chill Out mix 
containing most of the samples found on it, but also faint snatches 
of...

<go to sleep> KLF's unreleased 'Go To Sleep' (KLF Communications)

<trance melody> KLF's 'WTIL? Pure Trance' version (KLF 
Communications) 

<slowed down theme> The Timelords 'Doctorin' The TARDIS' (KLF 
Communications) 


What Time Is Love? (techno slam mix)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<oh my god, it's full of stars> from Stanley Kubrik's motion picture 
2001 when the surviving astronaut meets the slab in the orbit of 
Jupiter.

<warp warp warp...zoom crunch> from Clock DVA's 'The Act' (Interfish, 
1989). Also on the Tribal mix.


What Time Is Love? (techno gate mix) 
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<look, look, look over there, they're domes can't you see> ??

<guitar> There are repeated snatches of Hendrix's 'Voodoo Chile' on 
this track and the Wandaful mix and Waiting for that matter. This was 
his postumous British No.1 and can be found on any best of LP.


What Time Is Love? (Wandaful mix)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<I wanna see you sweat> and <come on boy d'you wanna ride> and <sit 
down and buckle up> and <..??..mercedes...???fly> are all presumably 
Wanda Dee. It has been suggested that the unidentified sample is from 
Pebbles' 'Mercedes Boy'.


3am Eternal (Pure Trance B-side)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<break> break from Raze's 'Break for Love' (Champion(UK), 1988). But 
where did they get it?


3am Eternal (Blue Danube Orbital)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<waltz melody> Johan Strauss' 'Blue Danube'. The piece is out of 
copyright of course, but the mechanical copyright on the recording 
isn't. Just as well you can't tell which version it is. 


3am Eternal (3pm Electro)
^^^^^^^^^^^^^^^^^^^^^^^^^
<trumpet blare and bouncing kick drum sound> used several times 
throughout the mix is also on girl rappers Frik and Frak's swear word 
full 'She Shouldn't Have Done It' (1986). But did they sample it from 
somewhere?


3am Eternal (Live at the SSL)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<This is Radio Freedom> US funded Radio Freedom broadcast propaganda 
from Western Europe into Eastern Europe during the cold war and this 
sample may be from their LP 'Radio Freedom (Commentary And Music)' 
(Rounder Europa, REU 1010, 1986) OR possibly from Red Family on their 
12" single 'Radio Freedom' which has the sample and gunfire OR maybe 
they sampled the KLF?

<Ancients Of Mu Mu> Chike from 'All You Need Is Love' by The 
Justified Ancients of Mu Mu on their LP '1987' (KLF Communications)


3am Eternal (Wayward Dub Mix)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<bass line> Egyptian reggae bassline by Jonathan Richman and the 
Modern Lovers

<Lord Have Mercy> ??

<This Jams for you> ?? This one is constantly repeated in different 
modulated and distorted ways throughout the track.


Make It Rain
^^^^^^^^^^^^
<Pump a little harder> from a Moody Boys' song on the Journey into 
Dub mini LP (XL Records).

<Say Yeah> by Stevie Wonder (Tamala Motown) could be from Little 
Stevie Wonder's first US No.1. 'Fingertips (Part 2)'.


No More Tears
^^^^^^^^^^^^^
<trumpet line> by King Tubby (Trojan Records)


Last Train To Trancentral (Live from the lost continent)
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<come on boy do you wanna ride?>  from Wanda Dee's 'To The Bone' 
single (Tuff City Records). See above.


Last Train To Trancentral 808Bass and 120 Rock Steady versions
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
<Metaluna is another planet quite like the earth.  They have lots of 
good guys there.  Over on the planet Zagon they got lots of bad guys. 
Its no place for an earthling when those good guys and bad guys get 
together> I don't know where it's from but I want to see this film, 
it sounds great.