ZZZZZZZZZZZZZZZZZ OOOOOOOOOOO RRRRRRRRRRRRR NNN NNN Zzzzzzzzzzzzzzzzzz ooooooooooooo r rr nnnn nnn zz o o r rr nnnnn nnn zzz o o r rr nnnnnn nnn zzz o o r rr nnn nnn nnn zzz o o r rr nnn nnn nnn zzz o o r rr nnn nnn nnn zzz o o rrrrrrrrrrrrr nnn nnn nnn zzz o o rr rr nnn nnn nnn zzz ooooooooooooo rr rr nnn nnnnnn zzzzzzzzzzzzzzzzzZ OOOOOOOOOOO rr rr nnn nnnnn ZZZZZZZZZZZZZZZZZ rr rr nnn nnnn rr rr NNN NNN RR RR (AND OTHER NYC DOWNTOWN MUSICIANS) posts: zorn@unh.edu sub/unsub: zorn-request@unh.edu *** BACK ISSUES of this digest can be obtained in 3 ways: *** 1) anonymous FTP at cs.uwp.edu *** 2) via my homepage: http://pubpages.unh.edu/~mpj1 *** 3) send mail to mpj1@kepler.unh.edu, on the subject line, put: send #, where # is the issue you want DIGEST #92, 10-04-95 ----------------------------------------------------------------------- -From jeff@shop.internet.net Tue Oct 3 12:30:47 1995 >-From mturner@netcom.com Mon Oct 2 21:40:53 1995 >-Subject: PRAXIS in Concert > >I don't know if this is part of a tour or a one-off event, but >Praxis is scheduled to play at Slim's in San Francisco on Oct. >26. The group for this show will consist of Bill Laswell, >Buckethead, and Brain. Anybody else heard anything about a >tour? There is no tour. They will be in town for a few days and decided to do a single gig. Maybe if it goes really well.... Jeff Spirer jeff@internet.net Axiom Web Site: http://www.hyperreal.com/axiom/ ``We all enter this world in the same way: naked; screaming; soaked in blood. But if you live your life right, that kind of thing doesn't have to stop there."-- Dana Gould ---------------------------------------------------------------------------- -From proussel@ichips.intel.com Tue Oct 3 12:38:43 1995 -Subject: Re: ZORN DIGEST #91 On Tue, 3 Oct 1995 10:57:17 -0400 mpj1@kepler.unh.edu wrote: > > -From JonAbbey@aol.com Mon Oct 2 16:06:46 1995 > -Subject: Re: ZORN DIGEST #90 > > Does anyone have an complete Tzadik discography? ------------------------------------------------------------------------------ | TZADIK CATALOGUE | ------------------------------------------------------------------------------ 01 - ANIMAL BEHAVIOR: Alvin Curran (1995 - Tzadik, TZ 7001 (CD)) 02 - LAVA: Chris Brown (1995 - Tzadik, TZ 7002 (CD)) 03 - THE NIGHT CHANT: Mamoru Fujieda (1995 - Tzadik, TZ 7003 (CD)) 04 - ANIMAL MAGNETISM: Arnold Dreyblatt (1995 - Tzadik, TZ 7004 (CD)) 05 - HSI-YU CHI: David Shea (1995 - Tzadik, TZ 7005 (CD)) 06 - MUSIC FOR VIOLIN ALONE: Mark Feldman (1995 - Tzadik, TZ 7006 (CD)) 07 - NO STRANGER NOT AT ALL: Gisburg (1995 - Tzadik, TZ 7007 (CD)) 08 - KLEZMER MADNESS!: Krakauer Trio (1995 - Tzadik, TZ 7101 (CD)) 09 - SEPHARDIC TINGE: Anthony Coleman (1995 - Tzadik, TZ 7102 (CD)) 10 - MELT ZONK REWIRE: New Klezmer Trio (1995 - Tzadik, TZ 7103 (CD)) 11 - O LITTLE TOWN OF EAST NEW YORK: Shelley Hirsch (1995 - Tzadik, TZ 7104) 12 - GOLEM: Richard Teitelbaum (1995 - Tzadik, TZ 7105 (CD)) 13 - ZOHAR: Mystic Fugu Orchestra (1995 - Tzadik, TZ 7106 (CD single)) 14 - HEX KITCHEN: Ikue Mori (1995 - Tzadik, TZ 7201 (CD)) 15 - HYDEROMASTGRONINGEM: Ruins (1995 - Tzadik, TZ 7202 (CD)) 16 - TENSHI NO GIJINKA: Haino Keiji (1995 - Tzadik, TZ 7203 (CD)) 17 - NULL AND VOID: Ground Zero (1995 - Tzadik, TZ 7204 (CD)) 18 - SAISORO: Derek and The Ruins (1995 - Tzadik, TZ 7205 (CD)) 19 - REDBIRD: John Zorn (1995 - Tzadik, TZ 7008 (CD)) 20 - THE BOOK OF HEADS: John Zorn (1995 - Tzadik, TZ 7009 (CD)) 21 - NANI NANI: Dekoboko Hajime, Yamantaka Eye (1995 - Tzadik, TZ 7206 (CD)) 22 - FIRST RECORDINGS 1973: John Zorn (1995 - Tzadik, TZ 7304 (CD)) 23 - KRISTALLNACHT: John Zorn (1995 - Tzadik, TZ 7301 (CD)) 24 - ELEGY: John Zorn (1995 - Tzadik, TZ 7302 (CD)) 25 - LOCUS SOLUS: John Zorn (1995 - Tzadik, TZ 7303 (CD)) ?? - TERMINAL PHARMACY: Jim O'Rourke (1995 - Tzadik, TZ 7011 (CD)) ?? - FINGER LIGHT: Yuji Takahashi (1995 - Tzadik, TZ 7010 (CD)) ?? - ???: Harry Parch (1995 - Tzadik, TZ ???? (CD)) ?? - THE CLASSIC GUIDE TO STRATEGY VOL. 1 & 2: Zorn (1995 - Tzadik, TZ 7305) Patrice. ------------------------------------------------------------------------ -From proussel@ichips.intel.com Tue Oct 3 12:43:46 1995 -Subject: Re: ZORN DIGEST #91 On Tue, 3 Oct 1995 10:57:17 -0400 mpj1@kepler.unh.edu wrote: > > -From zoopsi@inet.uni-c.dk Tue Oct 3 10:36:39 1995 > -Subject: torture cover > > > BTW: Zorn asked Shimmy not to sell anymore TORTURE GARDEN (the domestic > > one). A new TORTURE GARDEN design with a P.C. sleeve (completely dark) is > > planned in the near future. As you can guess, this is Zorn's direct > > answer to his recent troubles... > > Does this mean that it will soon be impossible to get Torture Garden with > the original cover? As far as the domestic pressing (Shimmy) is concerned, that's right. But Toy's Factory (Japan) is still producing it with the original design. Patrice. ------------------------------------------------------------------------ -From proussel@ichips.intel.com Tue Oct 3 15:21:46 1995 -Subject: Re: ZORN DIGEST #90 On Mon, 2 Oct 1995 14:09:45 -0400 mpj1@kepler.unh.edu wrote: > > -From larryvic@rain.org Sun Oct 1 02:28:46 1995 > -Subject: Re: ZORN DIGEST #89 > > My apologies if I'm posting inncorrectly. > > What I would like to know is there any way to order direct from either of > Zorns labels, Avant or Tzadik? It is very difficult to find them where I > live, Los Angles, I will refrian from commenting on what is easly > avilable here...... No possibility to order them directly. Tzadik is available through Wayside for mail order. > Also if anyone has any interveiws, articals etc. regarding Zorn I would be > willing to transcribe them and make them avilable to those who would be > interested. I must admit I have an alterior motive. I have yet in my years > of listening to Zorn gotten a hold of an interveiw or article other than > reveiws. and since I'm having so much trouble finding any I thought if any You might not have looked very hard :-). There are about 35 articles on Zorn. > of you have some I could transcribe and post them for others in my > situation. you could fax them or audio tapes maybe. This is not something that is legal, as far as I know... > I know this question has been asked and anwsered many times > already.......but how many Masada Cds are there? and with the free one, is > it not commercialy available? and is it too late to get the free one? There are 4 Masadas, right now, all on DIW. There is also a compilation from Knitting Factory with a track by Masada: 144 - KLEZMER 1993 - NEW YORK CITY: THE TRADITION CONTINUES ON THE LOWER EAST SIDE: various artists (1993 - Knitting Factory Works (USA), KFWCD-123) There should be 6 more before the end of the year (2 on Tzadik, 2 on DIW, 2 on I-don't-remember-what-label): *** - HAY: Masada (1995 - DIW (?)) *** - VUV: Masada (1995 - DIW (?)) *** - ???: Chamber Masada (???? - Tzadik (USA), ??? (CD or 2xCD)) *** - LIVE IN JERUSALEM: Masada (???? - Tzadik (USA), ??? (CD)) Hope it helps, Patrice. ---------------------------------------------------------------------------- -From proussel@ichips.intel.com Tue Oct 3 15:33:28 1995 -Subject: Re: ZORN DIGEST #90 On Mon, 2 Oct 1995 14:09:45 -0400 mpj1@kepler.unh.edu wrote: > > -From j-germuska@nwu.edu Sun Oct 1 10:55:09 1995 > -Subject: Other Downtown NYC musicians... > > Now, I don't want to railroad you all into another realm of discussion, but > in the last couple of weeks I've been really getting into a lot of _other_ > downtown NYC artists, who lately haven't been working with Zorn, Laswell > and the other focuses (foci) of this list. > > This latest kick was started by Bobby Previte's latest, "Hue and Cry" -- > It's been out for a while, but I finally got my own copy a couple of months > ago, and I've been listening to it a lot. It features a large band (which > I generally really like) including hammond organ (which I also tend to get > excited about) and some cool-ass compositions (again, one of my things....) I completely agree with you, Joe: Bobby Previte is one of the most amazing musicians from the scene. Although I like HUE AND CRY, it is maybe my least favorite from him. I highly recomment his "trilogy": 032 - CLAUDE'S LATE MORNING: Bobby Previte (1988 - Gramavision, 18-8811-2 (CD) 040 - EMPTY SUITS: Bobby Previte (1990 - Gramavision, R2 79447 (CD)) 053 - WEATHER CLEAR, TRACK FAST: Bobby Previte (1991 - Enja, R2 79667 (CD)) I could not tell you which one I prefer because they all incredible. > > I also just recently read a chapter on the Downtown Scene from a book > called "Jazz: the 80's Resurgence", and in the eighties, a lot of these ^^^^^^^^^^^^^^^^^^^ I was also excited when I saw that book but was appaled at the huge number of mistakes... Still worth to check... at the bookstore :-). > guys were getting a lot more attention; so on my show last week I spent > some time playing 80's music by Previte, Marty Ehrlich, Ray Anderson, Wayne > Horvitz, etc. Picking albums from our stacks nearly at random, I found ^^^^^^^ Horvitz is a real interesting case: I can't understand why he is consistantly overlooked. He made so many excellent records that very few people dig. He is one of my favorite artists and I could not pin-point one bad record by him. It seems hard these days to get followers if you persist on making original music which is still melodic... > Anyway, so are folks on this list into those artists? Anyone know if > Previte's going on the road for "Hue and Cry"? Anyone heard Ray Anderson's > latest, "Slideride" -- a trombone quartet on Hat Art that's pretty cool as > far as I've heard it... anyone have fave albums you want to rave about? Other musicians that you should add: Elliott Sharp Zeena Parkins Anthony Coleman Tim Berne (but I know you know him well :-) Robin Holcomb Patrice. ---------------------------------------------------------------------------- -From proussel@ichips.intel.com Tue Oct 3 15:35:46 1995 -Subject: Re: ZORN DIGEST #90 On Mon, 2 Oct 1995 14:09:45 -0400 mpj1@kepler.unh.edu wrote: > > I know this question has been asked and anwsered many times > already.......but how many Masada Cds are there? and with the free one, is > it not commercialy available? and is it too late to get the free one? I forgot to add that among the new Masada, one should be a LIVE AT MOGADOR. Patrice. ---------------------------------------------------------------------------- -From fe@shore.net Tue Oct 3 15:39:35 1995 -Subject: tzadik titles with descriptions dear zorn list people, here are some tzadik titles and some descriptions. hope its of use. so long, kristin -->forced exposure Tzadik: Alvin Curran: Animal Behavior CD (TZ 7001). Chris Brown: Lava CD (TZ 7002). "Chris Brown, San Francisco based composer, pianist, and electronic instrument builder, studied composition with William Brooks, electronic music with Gordon Mumma and computer music with David Rosenboom. His music includes pieces for solo instruments with interactive electronics, and improvisational ensemble works...Lava describes a primordial state of flux, the transmutation of one material into another through a streaming of intensely concentrated energy. "Lava" is written for brass quartet, four percussionists and 4-channels of electronic sound generated by a computer controlled signal processing system. Aspects of the physical structure of a volcano are applied to control musical elements, creating their own musical grammar. The fluid motion of burning lava streams are modeled by a score that describes all musical elements as states of change: there are no fixed pitches, loudnesses or timbres, only directions of pitch, timbre, and dynamic motion... The electronic sounds are all created by live sampling from the acoustic sounds of the instruments, and there are no synthesizers or previous recordings involved. The change from a solid (earth) into a liquid (lava) is modeled by this transformation of the acoustic sounds into electronic sounds that create an enveloping musical landscape." This is a fantastic 60 minute piece, in a very organic electroacoustic vein. Mamoru Fujieda: The Night Chant CD (TZ 7003). The most impressive release in the first batch. Fujieda is a Japanese composer who has studied with Morton Feldman and performed with Yuji Takahashi, Zorn, Malcolm Goldstein, Deep Listening Band, etc. The Night Chant combines computer controlled synthesizer tuned in just intonation (a la Harry Partch) with shomyo/Buddist chant, Japanese traditional instruments, Indonesian gamelan modes and Navaho text. Huge, overtone-rich patterns of alien drone. Arnold Dreyblatt: Animal Magnetism CD (TZ 7004). "These pieces for just-intoned electric guitar, bass violin, cimbalon, percussion and horn section emphasize dynamics and sonorities, achieving stunning acoustical effects. American composer Dreyblatt studied under minimalist greats La Monte Young, Pauline Oliveros and Alvin Lucier, and formed the Orchestra of Excited Strings in 1979. He has released 2 previous albums on India Navigation and Hat Art." David Shea: Hsi-Yu Chi CD (TZ 7005). Shea's 3rd release, following the excellent Shock Corridor CD on Avant, and the Prisoner (Sub Rosa). This one is based on the 1592 novel, and dedicated to "the Hong Kong film directors who use both technological, commercial, western, and traditional Chinese sources to create new work... Each musical territory is created with samples, live playing, traditional tunes, scored and improvised material...the travels cross internal and external space through religious devotion to B film exploitation." Shea uses a a sampler, piano, turntables, CDs; with Zorn (as), Zeena Parkins, Marc Ribot, Jim Pugliese, etc. Mark Feldman: Violin Alone CD (TZ 7006). Solo violin composed and performed by Feldman (his 1st work as leader), who has played on numerous NY recordings by the likes of Tim Berne, Klucevsek, Previte, Zorn etc. "Synthesizing new music, romantic violin gestures and improvisation," this is a stunning display. Gisburg: fea. Q. Chiappetta CD (TZ 7007). "Imaginary moviemusic by an extraordinary young vocalist and composer, including dramatic text and Chinese and African traditional music." She sings, there's percussion, oboe, and other odd sounds. Not the most immediate release on the label, but various sectors of curio-huzz do develop. John Zorn: Redbird CD (TZ 7008). Seven new Zorn CDs, all now in stock. These first two part of the Tzadik Composer series. This first CD consists of two pieces of composed acoustic minimal/ambient music, as influenced by Scelsi, Feldman & Olivier Messiaen. The first part ("Dark River") is for bass drums only, and acts as a low-toned pulse-stopper intro for the main title piece, which goes on for (only!) 41 minutes of harp, viola, cello and percussion, which is beautifully performed in the new 90s minimalist style (ala Feldman Hat Art recordings), slowly evolving, luxuriously toned acoustic sound waves. John Zorn: Book of Heads CD (TZ 7009). Composition for solo guitar, from 1978. Originally written for Eugene Chadbourne, it is performed here by Marc Ribot. "I took the scores home and stared at them for a long time in complete bewilderment. Virtually every note involved some sort of extended technique, non-traditional notation or nearly impossible juxtaposition. This was not surprising, given the task Zorn had set out for himself: to compose in the language of the late 70's/early 80's 'free improv' guitarists (Chadbourne, Frith, Bailey), a language most had assume to be unnotatable)." -- Ribot. Krakhauer Trio: Klezmer Madness! CD (TZ 7101). First release in Tzadik's Radical Jewish Culture series. David Krakauer (clarinet, bs clarinet), Michael Alpert (vocals, accordion, violin, guitar), David Licht (perc.). "With a profound knowledge of Yiddish music heritage, the virtuosic Krakhauer Trio combines the traditions of klezmer with innovative composition, arrangement and improvisation to create a style with reverence, imagination and a sense of humor. Klezmer Madness features both traditional and original music, including tunes from the repertoire of klezmer clarinet greats Naftule Brandwine and Dave Tarras, and even John Zorn's Masada. Kraukauer combines the diverse influences of Jewish and Balkan clarinet styles, minimalism, jazz and shredded Muzak to create a style uniquely his own." Anthoney Coleman: Sephardic Tinge CD (TZ 7102). Another in the Radical Jewish Culture series. A trio featuring Coleman (piano), Greg Cohen (bs) & Joey Baron (drums). "From traditional Sephardic melodies to Latin-influenced originals by way of T. Monk and Jelly Roll Morton, to an Irving Fields arrangement from the classic 50s Borsht Belt mambo/cha-cha album Bagels & Bongos, Anthony Coleman takes an innovative approach to the classic jazz piano trio. Ikue Mori: Hex Kitchen CD (TZ 7201). First in Tzadik's New Japan series. "Mori has developed a personal and innovative technique of playing samplers triggered by adapted drum machines. Hex Kitchen, which includes the soundtrack to Abigail Child's 8 Million Way to Die, features both Mori solos and performances with an all star line-up of innovative musicians." Included are David Watson (bagpipes, guitar), Hideki Kato (bs), Catherine Jauniaux (vocal), Zeena Parkins (el. harp, keyboard, accordion), John Zorn (clarinet), Hahn Rowe (guitar), Jim Staley (tbn). Ruins: Hyderomastgroningen CD (TZ 7202). "Along with the Boredoms, Naked City and very few others, this amazing drums/bass duo are masters of quick-change, stop/start tempos, time-signatures and textures. Ruins' explosive and intricately composed tunes are sung in a peculiar language of their own invention. Hardcore, art rock, psych, heavy metal, funk and lots more - if Ruins have heard it, they are likely to incorporate it into their music. Yoshida cites Magma, This Heat, Debussy and Webern as influences. Masuda's favorites are James Brown and Fred Frith." John Zorn (Dekoboko Hajime) & Yamantaka Eye: Nani Nani CD (TZ 7206). "The finest in ambient screams, hardcore surf, erotic Indian psychedelic, moronic samples, industrial monster movies and karaoke vomit." John Zorn: Kristallnacht CD (TZ 7301). Tzadik introduces its Archival Series, to reissue previous works that are now out of print or only available as more expensive imports. Kristallnacht was issued in Japan on the Eva label in 1993. "Zorn's most powerful and unforgettable composition. The premiere work of Radical Jewish Culture features a virtuoso ensemble of creative Jewish musician: Mark Feldman, Marc Ribot, Anthony Coleman, Mark Dresser, William Winant, David Krakauer & Frank London." A seemless and flowing mix of organic breaking-glass-like noise blurts and small ensemble improv bouts, this is an impressive work, and seems less pointedly conceptual than some of the better known Nonesuch pieces. John Zorn: Elegy CD (TZ 7302). 1992 recording (previously issued on Eva, Japan) of a file-card composition, performed on flute, viola, guitar, turntables, soundeffects, percussion & voice. "Creates a mysterious world of erotic perversion, drawing inspiration from the writings of Jean Genet, and features an unusual collection of some of SF's most interesting musicians: David Abel, Barbara Chaffe, Mike Patton, David Shea, David Slusser, Trey Spruance & William Winant. " John Zorn: Locus Solus CD (TZ 7303). Reissue of the Rift 1983 DBL LP. Locus Solus was made up of small groups of Zorn's closest contemporaries at the time: Christian Marclay, Peter Blegvad, Arto Lindsay, Anton Fier, Wayne Horvitz, Ikue Mori, M.E. Miller. Subtitled "In search of improvised song form," this is supremely disorientating sonic chatter, but in many ways eminently listenable; watching this one waft though your speaker cones can't help but give you a feeling of superiority towards the human race's numerous inferior forms. John Zorn: First Recordings 1973 CD (TZ 7304). Previously unreleased materials from '73/74, giving "A peek into the secret world of a teenage weirdo, revealing the early seeds that developed into the composer's later dementia. Private tapes, home recordings and candid notes." Contains "Mikhail Zoetrope", a piece for soprano sax, toy percussion, glasses, pots & pans, turntable, TV set, vacuum cleaner, etc., that Zorn calls his craziest piece ever. "Conquest of Mexico," influenced by Varese and Artaud, is a stunning primitive piece of musique concrete; violent sci-fi madness. "Wind/Ko/la" is a solo guitar/vocal work of lo-fi percussive banging. "Automata of Al-Jazari" is a short filmic cut up. Plus a weird electronic collage tribute to Albert Ayler. Say what you will, there's some amazing junk on here and one of the most impressive Zorn documents ever. ---------------------------------------------------------------------------- -From herb@mail.eskimo.com Wed Oct 4 01:39:22 1995 -Subject: Re: ZORN DIGEST #91 andrewm@ix.netcom.com asks: >Also, how about some descriptions of the Tzadik releases by the lesser >well known artists(Mamoru Fujieda, Chris Brown, Alvin Curran, Arnold >Dreyblatt)? > I like the four Tzadik CDs you ask about quite a bit, but they aren't very closely related to much of Zorn's work. They're all (to some degree) more in line with "avant garde" classical music than free improvisation (though both Chris Brown and Alvin Curran, at least, improvise often and quite well, just not on these recordings). I'm not sure how useful these descriptions'll be but here goes: Fujieda - traditional Japanese instruments with computer accompaniment, pieces develop slowly, some sound like fairly traditional Japanese music, others are more like recent Western classical work Brown - very good, hour-long piece for electronics, percussion and brass players, tempo modelled on the dynamics of volcanic eruption, lots of different rhythmic/tempo structures, but again develops slowly, rhythmically similar to some of Conlon Nancarrow's Studies for Player Piano (but timbrally quite different) Curran - 2 works. "Animal Behavior" is primarily electonic, using samples of George Bush speeches, animal sounds, cartoon music, & Annie Sprinkles. In "Why is this night different from all other nights?" Curran plays piano & Willie Winant plays mallet percussion over a series of chords played by a violinist, accordionist & tuba player & a pre-recorded tape that includes some of the tape parts from Curran's "Crystal Psalms" his dense multi-location (via radio!) memorial piece for the fiftieth anniversary of Kristalnacht (available on New Albion). Dreyblatt - Rich timbral colors, pulsing tones in the midst of sustained sonorities. Often minimal but not repetitive pattern music like Glass or Reich. Uses natural overtones to get pitches in just intonation scales. Kind of like Rhys Chatham or Glenn Branca, you know, like a rockin' Harry Partch ensemble. While I like the recording I can't help thinking that there's got to be a lot (overtone colors, etc) that's lost compared to a live performance. I hope this helps some. Bests Herb Levy herb@eskimo.com ---------------------------------------------------------------------------- -From CuneiWay@aol.com Wed Oct 4 08:21:42 1995 -Subject: Re: Tzadik discography >From JonAbbey@aol.com Mon Oct 2 16:06:46 1995 >Subject: Re: ZORN DIGEST #90 >Does anyone have an complete Tzadik discography? DEREK BAILEY AND THE RUINS-Saisoro CD CHRIS BROWN-Lava CD . ANTHONY COLEMAN TRIO-Sephardic Tinge CD ALVIN CURRAN-Animal Behavior CD ARNOLD DREYBLATT-Animal Magnetism CD MARK FELDMAN-Music For Violin Alone CD MAMORU FUJIEDA-The Night Chant CD GISBURG-No Stranger Not At All CD GROUND ZERO-Null & Void CD KEIJI HAINO-Tenshi No Gijinka CD SHELLEY HIRSCH-O Little Town Of East New York CD DAVID KRAKAUER/KRAKAUER 3-Klezmer Madness! CD IKUE MORI-Hex Kitchen CD MYSTIC FUGU ORCHESTRA-Zohar CDEP NEW KLEZMER TRIO-Melt, Zonk, Rewire CD MARC RIBOT/JOHN ZORN-The Book Of Heads CD RUINS-Hyderomastgrooningem CD DAVID SHEA-Hsi-Yu Chi CD . RICHARD TEITELBAUM-Golem CD JOHN ZORN-1)First Recordings 1973 CD -2)Elegy CD -3)Locus Solus CD -4)Kristallnacht CD -5)Redbird CD -6)Nani Nani CD ----------------------------------------------------------------------------